Editing these mixes for my Solomans Archive project is always a blast. I wanted to capture that early 2000s Grime energy — distorted, grainy, and dripping with nostalgia.

I used Premiere Pro to key out the background, cut the sequence, and layer in some punchy transitions. Then it all went into After Effects for that signature jagged, low-frame-rate look — complete with wiggling hues and chunky film grain to tie it all together.